A musical composition realized using the seven-tone tingklik and arranged with the concept of minimalist music. The technique of metingkadan, used by the kuntung instrument in the Jegog ensemble, is performed by two players who play the same rhythmic pattern. However, an interlocking rhythm is achieved when their parts are executed with the help of two metronome that provide each player with a different tempo.
An exploration in which a subset of instruments from jegog play according to four different metronome settings. The interactions of tempos at 40, 50, 100, and 120 bpm create a seemingly disorganized organization of sounds.
